Willow Smith on New Music and Her Celestial Concert Glam

It was one of many first really crisp nights of October when Willow Smith took the stage at Sony Hall in New York. Beneath the long-lasting music venue’s starry ceiling, a crowd of undeniably cool concertgoers milled by means of the smoky ambiance like ants swarming a popsicle-splattered sidewalk. The crowd erupted in applause when the singer and youngest of Will and Jada Pinkett Smith’s youngsters emerged from the velvet curtains—a imaginative and prescient in persimmon lace and chartreuse silk, with a placing wash of lavender shadow throughout the eyes. Why purple? I later requested the singer once we rendezvoused in a comfortable inexperienced room a number of flights beneath the stage after the present. “Purple is the colour of the third eye chakra,” she replied coolly. The intentionality of her artistry—from the thrumming beats of her spiritually charged music to the symbolism of her Dior makeup selections—shouldn’t be misplaced on me as we dive into the sweetness behind her newest album, The Thread.
At simply 25 years previous, The Thread marks Smith’s eighth solo album. But it is not merely a brand new venture for the artist: Smith refers back to the assortment as “a devotional album,” one impressed by nature, the totally different chapters of her life, and an interior sense of homecoming as she continues to forge her journey. “It appears like a way of an arrival at a sure level in my profession,” she explains. “Obviously there’s a lot extra to go, however The Thread is a by means of line by means of each totally different period that I’ve ever been by means of.” And Smith is the primary to acknowledge the daring magnificence selections which have marked each.
“I’ve been bald. I’ve carried out massive hair. I’ve carried out a variety of stuff. I’ve carried out nothing,” she tells me, leaning ahead on the plush chaise. “I used to only not put on make-up on stage, like, ever—I used to really feel like it might get in the way in which,” she provides, “however now I really feel prefer it provides to the vitality. And I’m all the time down for just a little change, honey.”
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Smith’s artistic confidence in magnificence might be traced again to her mom, who was one in all her earliest examples, she tells me. “Watching her do her make-up—simply being so enamored by her sense of what she is aware of seems to be good on her…understanding herself inside but additionally out so nicely—that was very inspiring to me,” Smith says with a small smile.
It takes a fellow visionary to translate the summary themes of Smith’s ethereal music into magnificence, so superstar make-up artist Dee Carrion—praised for her work with Doja Cat, Doechii, and Ayo Edebiri, to call a couple of—has been the conduit for these colourful make-up manifestations. “She actually has been so instrumental, particularly [with] the make-up seems to be, for this album rollout,” Smith praises. We take a couple of seconds to effuse over her gray-toned glam on Doechii on the 2025 Grammys. “The women love her!” she exclaims.
Carrion herself is way humbler about her latest work when discussing Smith’s color-splashed new period. “I exploit a variety of shimmers, sparkle, delicate pastels, and washes of coloration to translate the ethereal vitality into the make-up look and total ensemble,” she explains merely. Smith’s look that night—a brilliant lilac eye, accentuated by brown feline liner—was a symphony of Dior eye merchandise, together with Diorshow 5 Couleurs in Plum Tutu, the Flash Stick in Celestial Star, and the Waterproof Liquid Liner in Satin Brown. “
“There’s a color-blocking component that is taking place,” Smith says, elaborating on her latest kaleidoscopic seems to be. Her earlier album—Petal Rock Black, launched this February—adopted a black-and-white theme that mirrored the artist’s interval of artistic isolation. “I wished to do one thing that was a juxtaposition to that,” she provides. “I really feel like it is vitally expressive of all the colours that nature makes use of to color this insane tapestry that we name life.”
Carrion applauds Smith’s artistic strategy to magnificence (“She’s all the way down to do enjoyable glam,” the make-up artist tells me) but additionally respects her discernment when she is aware of a efficiency would feel and look higher stripped again. “Most of our glams are fairly collaborative, and I believe every [one] actually will depend on her vitality that day,” she explains.
Though each session with Smith produces a brand new, creatively charged look, there are a couple of ol’ reliables that Carrion retains shut by. The Diorshow Overvolume Waterproof Mascara in Overblack is one— “It’s the blackest mascara, and we want the waterproof!” the artist explains—and the Dior Backstage Glow Maximizer palette and Dior Forever Glow Luminizer are the others. “The Glow Maximizer palettes are so versatile, and I really like the shimmer payoff—they’re simply lovely,” Carrion muses. Alternatively, she depends on the Glow Luminizers for lit-from-within radiance versus eye-catching shine. “I attain for each usually.”
Smith is aligned on the glow entrance. “I really like a superb highlighter,” says the singer, her eyes trailing off in reminiscence as if wanting again on the stage she simply left. “Picking it up on the digital camera… a superb spotlight all the time hits the sunshine so nicely.” The pair relied on the Dior Backstage Glow Maximizer within the new Icy Rose Glow palette—an array of frosted white, lilac, petal pink, and champagne shades—and the Diorshow Flash Stick shade in Celestial Star for touches of radiance on the star’s cheeks and eyes. “It has this actually lovely icy purple shade that added such a stunning sheen and glow to her cheeks and complemented the eyes,” says Carrion. She then added “the proper sparkle” to Smith’s interior corners with Celestial Star—one thing that made all of the distinction underneath the lights.
At this level in Smith’s life and profession, there are few magnificence dangers she has but to take. What’s vital to her now’s interior work—not simply as an artist, however an individual. “I’m making an attempt to really see myself—not by means of a lens of missing one thing, however by means of a lens of intentionality and your sincerity,” she states. “There is nothing that’s extra vital than your sincerity.” Smith is candid about how the expertise of performing onstage can rattle her if she lets it (“Sometimes I’ll be like, ‘Oh, I fucked up that word. I fucked up that guitar riff. I wasn’t good—and that is not cute on the within.”), however is vigilant sufficient to grasp that these self-described flaws are price embracing somewhat than shunning. “I believe that the actual magnificence comes from loving your self and loving your imperfections.”
It’s this self-love journey that makes her much more grateful to be a magnificence ambassador for Dior Beauty. “As an especially tattooed and pierced African American lady, to be concerned on this marketing campaign is, I believe, groundbreaking,” says Smith. “I would like different individuals to see that the notion of magnificence is wider than ever earlier than, and it is solely going to get wider and wider till hopefully sooner or later it encompasses actually each fucking physique. And that is what I would like.”
